Leos Carax's C'est pas moi (It's Not Me, 2024) is the reclusive French director's most anomalous work yet — a 41-minute essay film born from an invitation by the Centre Pompidou to respond "in pictures" to the question: where are you, Leos Carax? Rather than a conventional self-portrait, Carax constructs an elaborate montage of archival footage, film history citations, still images, and original material processed through garish digital effects, offering a portrait he describes as one made "without any mirror."